Book of the Week: The Arrival
There’s been a lot of talk lately about authors and illustrators from Australia. Shaun Tan, an established artist from Western Australia, offers his newest book this month to an American audience. The Arrival is a stunning wordless graphic novel. (The Arthur Levine version is a reprint of an earlier Australian edition.) The story follows the journey of a man from his unnamed home country to a confusing new world which, despite presenting immense obstacles, offers the hope of a better life for his family. Because there are no words, the sepia-toned drawings carry the narrative, relying on the reader’s interpretations to complete the experience. I think this is what I appreciated most about the book: There are a lot of images and concepts that don’t make sense on first inspection, so as a reader you have to apply your own powers of perception, and you get to take part in the creation of the narrative.
In an essay for Viewpoint magazine, Shaun Tan had this to say:
“I am rarely interested in symbolic meanings, where one thing ‘stands for’ something else, because this dissolves the power of fiction to be reinterpreted. I’m more attracted to a kind of intuitive resonance or poetry we can enjoy when looking at pictures, and ‘understanding’ what we see without necessarily being able to articulate it.”
As a librarian and an avid reader, I’m surrounded by powerful words and their meanings. Reading The Arrival, I felt liberated from the obligation to make meaning, and enjoyed being able to let the pictures speak to me without making up a linear storyline. Questions came up, and my ideas about what was going on were constantly changing. For me, reading this book was a very emotional experience. In a manifestation of the old adage, a picture truly tells a thousand stories.
